Select  Exhibitions + Installations

Year        Title
2022        Waiting for Enlightenment
2022        Two Hearts
2021        Losing My Religion
2020        if we want it
2017        Holiday in Cambodia
2017        A single journey can change the course of a life
2016        Idol/Idle

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Losing My Religion
ការបាត់បង់សាសនារបស់ខ្ញុំ


Minnesota Museum of American Art (St Paul, MN)
Curated by Suriya Sam-Khuth

October 30, 2021 – January 19, 2022

(Video) (Catalog)


INSTALLATION VIEW

Losing My Religion, 2021. Sutures, Minnesota Museum of American Art, St Paul, MN, 2021. (Credit: Drew Arrieta)

Multi-channel video with projection mapping onto plinths and objects (HD video, sound; 5 minutes), dimensions variable.

Sopheak Sam’s sculptural video installation, ការបាត់បង់សាសនារបស់ខ្ញុំ Losing My Religion (2021) forms a space where multiple diasporic Cambodian visual cultures collide. Losing My Religion is an iteration of Sam’s previous work, Holiday in Cambodia (2018) but differs in its source material and altar-like structure. Drawing inspiration from Theravada Buddhism’s notions of animism—the belief that objects have a spiritual essence—Sam assembles an altar that references popular media from the post-Khmer Rouge era: 80s and 90s karaoke music videos 1, Haing S. Ngor’s iconic Oscar speech 2, movie and documentary clips 3, and other videos sourced from Youtube.

From afar, the work appears as if someone has left all the living room TVs turned on; as if they were flipping through the channels trying to find themselves reflected on the screen. A closer look reveals a collection of videos that Sam has woven into objects found in everyday Cambodian households — កន្ទេល kanteil (leisure mats), ខ្នើយ khnaəy (ornate silk pillows), ភួយ phuəy (blankets), ចានស្រាក់ caan sraak (tiffin carriers) and temple trays. By embedding popular imagery directly onto quotidian objects, Sam begins to reflect on the ways in which moving image and visual culture becomes a point of departure for cultural transmission and diasporic assemblages .

Text by Suriya Sam-Khuth

© Sopheak Sam 2026