(Written by me)

Blue is the Warmest Color: Misa Chhan’s Year of the Snake at the Rose Kennedy Greenway_{Art Review}

—In Draft, Boston Art Review

Shadowing as Embodiment and Witness in Rithy Panh’s Rendez-vous avec Pol Pot_{Film Analysis}

—2025

(Dis)translations: Cambodian Artists Renegotiating Belonging after the 2023 Elections_{Cultural Studies}

—2025

States of Newness: Childhood and Aspirational Democracy in Cambodia-U.S. Films_{Film Analysis}

—2024

    (Written by others)
What is lost and what is found: Sopheak Sam on grief, mixed-media, and cycles of displacement_{Essay by Will Hutnick}

—2025, Cornell University MFA CVA Publication

Art exhibition to explore freedom of expression theme_{Article by James Dean}

—02.19.2024, The Cornell Chronicle

Wait, Remember Your Lover _{Essay by Melissa Q. Teng}

—2022, Waiting for Enlightenment Exhibition Catalog

Perpetual Collapse at the Godine Family Gallery_{Review by Gabe Gill}

—2018, Big Red & Shiny